Gandhi My Father is a story that was waiting to be told. We all know about Mahatma Gandhi and his greatness. But only a few know of the troubled relationship he shared with his eldest son Harilal.
 Mind it, the movie doesn’t show Gandhi in negative light. It just shows how a son – an ordinary man with his own desires and weaknesses – is crushed under the weight of the high principles of his father. It shows how Harilal’s failures and weaknesses stood in sharp contrast to the high ideals and victories of his father. It shows how Harilal carried the tag of Gandhi like a curse around his neck
Director Feroz Abbas Khan handles the subject with sensitivity and understanding. He draws parallel life sketches of Mahatma Gandhi and Harilal from Rajkot in Gujarat to Phoenix Settlement in South Africa.
The movie begins in 1948 with an ill and infirm man – unkempt, disheveled and dressed in ragged clothes – being brought to Bombay Hospital on a stretcher in an unconscious state. The dying man is none other than Harilal Gandhi.
The movie goes back into flashback to 1905. Mohandas Karamchand Gandhi ( Darshan Jariwala ), along with his wife Kasturba (Shefali Shah), runs a printing press in his settlement in South Africa . His grown-up son Harilal ( Akshaye Khanna ) marries Gulab ( Bhumika Chawla ) in Rajkot . Glimpses of strain between the father and the son are apparent from the first as Harilal informs his father, rather than ask his permission, about the marriage.
Soon, Harilal and Gulab join Gandhi in South Africa. Supporting the movement begun by his father, Harilal goes to jail a couple of times. His dream is to be a barrister like his father. But Gandhi doesn’t favour Harilal and rather sends someone else for study in England. Little things like these begin taking root in Harilal’s mind. He wishes to break away from his idealistic father and start a life of his own.
Harilal goes back to India . But he meets failure in whatever endeavor he undertakes. He fails in his studies and he fails in business. He incurs debts. He embezzles money at his workplace and is fired from his job. Soon he takes to drinking.
Tired of constant harassing by debtors and her husband’s ways, Gulab leaves Harilal and takes her children along with her. Not much later, she dies.
A lonely Harilal gives in to the life of a derelict. He is disowned by his father. He converts to Islam, reconverts to Hinduism, turns into an alcoholic, a tramp, and finally dies the death of a beggar.
Feroz Abbas Khan retains an element of poignancy and subtle irony in the way he tells the story. On the one hand, we see Gandhi rising from an activist in South Africa to become the father of nation in India. On the other hand, we see Harilal’s failures and his fall from grace. This contrast particularly stands out because F. A. Khan. delineates the life sketches of Gandhi and Harilal parallel to each other.
 At the core, F.A. Khan remains an actor’s director (probably by the virtue of his theatre background). ‘Gandhi My Father’ rests on terrific performances by its starcast, particularly Akshaye Khanna, Darshan Jariwala and Shefali Shah.
It would be a shame and injustice if Akshaye doesn’t win an award for his performance in the film. The actor sinks his teeth deep into his character. In the initial parts he brings innocence and rawness into Harilal. But slowly this innocence develops into open rebellion against his father.
Darshan Jariwala is superb in his role as Mahatma Gandhi. There is a lingering smile on his face and in his eyes throughout the film.
Shefali Shah also delivers a powerful performance as Kasturba Gandhi. Bhumika Chawla is convincing in playing her part.
Meticulous attention has been paid to recreating the India of early 20th century. The costumes, the props, the old trains, vintage cars, old buildings – all of them authentically recreate the ambience of the times the story is set in. Hats off to producer Anil Kapoor for taking on such a logistical challenge.
The movie has no songs but two bhajans that play in the background. The cinematography by David Macdonald is of international standards.
All said, "Gandhi My Father" is a hard-hitting
film that tells a sad and tragic story. Seekers of feelgood
entertainment won’t find anything eminently enjoyable
in the film. But the film, albeit, is a piece of quality
cinema.
PARTNER
 Salman Khan and Govinda play partners in this movie. The film has Katrina paired up with Govinda while Lara Dutta is cast opposite Salman Khan. In the film, Salman plays a love guru who is an expert in matters relating to romance and girl-wooing. Inspired by director Andy Tennant's likable Hollywood hit HITCH [2005; Will Smith, Eva Mendes, Kevin James, Amber Valletta], PARTNER is a true-blue David Dhawan film.
more
Aap Ka Surroor
 AAP KAA SURROOR starts off as a love story, but gets into the thriller drive subsequently. A key factor that goes in its favor is that the events unfold at a feverish pace, giving no time to the viewer to think or break into a yawn. Besides, the film bears a stylish and glossy look and the viewer is enamored by the stunning locales of Germany as also the melodious musical score that has been filmed on some striking locations. This one's an eye candy!
more
Chain Kulii Ki Main Kuli
 Zain Khan (Karan) has been brought up in an orphanage run by Rajesh Khera (John Kakkad). The boys in the orphanage badly fear Rajesh Khera and the children call him Hitler. The children want to escape from his tyranny and they crave to be adopted by some couple. The saddest thing is that the couples who come for adoption are looking for only small kids.
As the story progresses, one day Zain finds a bat which had ` KD` written on it. He took it to mean Kapil Dev and hits sixes with it during the play with his orphanage mates. One day the disillusioned Indian coach Vijay Crishna sees Zain playing and decides to include him into the Indian squad for the crucial match with Pakistan . This surprises the Indian team including Captain Rahul Bose (Varun.) However, Zain gives a good drubbing to Pak team by hitting huge sixes while opening the innings with Rahul Bose. .more
Tara Rum Pum
 The power of love and togetherness can sometimes be so strong that it can make you go through the thick and thin of life with a smile on your face. This is the gist of Yashraj Film's latest presentation ‘Tara Rum Pum'.
The movie, written and directed by Siddharth Anand (of Salaam Namaste), is a feelgood flick with doses of all the necessary ingredients that go into making a wholesome entertainer. It has light humour, romance, thrills, tragedy, the drama of life, hardships, struggle, the test of human spirit and the final triumph.more
Nishabd
 Nishabd means wordless. But the film gets as verbose as possible. In fact it's difficult to believe that Nishabd is directed by Ram Gopal Varma. The filmmaker known for his hard-hitting realistic antics, ventures into Bhansali's sublime romantic territory with his not so conventional pairing. He is 60. She is 18. Reminds of the Zandu Kesari Jeevan advertisement. 60 saal ke budhe ya saath saal ke jawan. Ok, sad jokes apart (the film has plenty of them in the initial reels) it's a love story between the two and how his family reacts to it. That sums up for the synopsis of the entire film. Ramu goes much beyond the screenplay and interprets each of the scenes with a lot of passion. And passion here doesn't imply some sizzling chemistry between Bachchan and Jiah Khan, but Ramu's obsession with the art.more
Eklavya
 Can form, no matter how glorious, be a substitute for content? In "Eklavya", lack of content isn't a problem. It's the tense and dark nature of the content that proves to be a dismaying impediment to enjoying the virility of Vidhu Vinod Chopra's storytelling. How do we define the plot of "Eklavya"? It partly borrows the dark, indefinable pathos of Shakespeare's tragedy and partly reverts to the palatial pathos of the Mughal Empire where patricide frequently collided with complex Oedipal equations. "Eklavya" takes us into a territory totally unexplored and designed to create an ethos of infinite resonances.
"Eklavya" is a film of many virtues. Screenwriter Abhijat Joshi and Chopra aim for a sense of heightened tragedy that underlines the cinema of Kurosawa and the music of Mozart. The quality of the sound design (Biswajit Chatterjee), background scores (Shantanu Moitra) and cinematography (N. Natarajan Subramaniam) elevates the bizarre tale of a dysfunctional royal family to heights of lyricism.more
The Guru
 Mani Ratnam, the master of his craft, arguably surpasses all his previous works in ‘Guru’. Apart from its technical
soundness, ‘Guru’ tells a story that is deeply gripping and highly inspiring. It is the tale of a man
who never gives up. The protagonist of the film is a perennial fighter and an incurable optimist.
Beginning in 1951, ‘Guru’ is the story of a boy who goes to Turkey to work in a petroleum company after
failing his school exams back home in a small Gujarat village. With sheer hard work Gurukant Desai
(Abhishek Bachchan) rises in ranks and gets promotion. But Guru is a man of big vision. He quits his
job in Turkey and comes back to Gujarat to start some business of his own.more
Bhagam Bhaag
In a Priyadarshan comedy
one is always comforted in the chaos of colliding
characters by the thought that somewhere in the on-going
blizzard of bacchanalia there's a rhythm and a
rationale.
It's that thought which keeps you smiling
through the exasperatingly juvenile games of
one-upmanship between Govinda and Akshay Kumar in the
prolific director's latest ode to rude- awakening calls
from the shudder-world.
While Bhagam Bhag lacks
the working-class anxieties of Hera Pheri, it certainly
captures some of the colour, flamboyance and friskiness
of a dance troupe from Mumbai which arrives in London
for a performance without a heroine. Both the heroes,
tongue-in-cheekily named Bunty(Akshay) and
Babla(Govinda) as tribute to Abhishek and Rani's ongoing
boisterousness from the back-waters in Bunty Aur Babli,
are asked to get a girl for the play.more
Babul:
BAABUL tackles the issue of widow re-marriage, an issue the late Raj Kapoor
successfully raised in PREM ROG [Rishi Kapoor, Padmini Kolhapure]. But comparisons
between PREM ROG and BAABUL wouldn't be right, except that both talk about the rehabilitation
of a young widow.
Balraj Kapoor (Amitabh Bachchan) is a rich buisnessman, happy and content with
his world. He and his wife Shobhana (Hema Malini) have a son Avinash (Salman Khan).more
Dhoom 2:
 Sanjay
Gadhvi makes his intentions clear in the very opening
reels. In a desolate desert in Africa, an anonymous
thief, a mysterious Mr. A (Hrithik), pulls off a daring
robbery on a moving train. After the loot, as he sandboards
through the golden dunes with the booty safe in his
bag, the introductory titles roll.
Back in Mumbai, Ali (Uday Chopra) has graduated from
a mechanic to a cop. He and his senior Jai Dixit (Abhishek
Bachchan) work together to bring criminals to book.more
Vivah:
 Think
Rajshri Productions and you're likely to think of larger
than life weddings consisting of an equally large family.
Be it MAINE PYAR KIYA, HUM AAPKE HAI KAUN, HUM SAATH
SAATH HAI etc.
Interestingly Shahid plays Prem, the character that
Salman Khan has consistently played in Barjatya's above
mentioned films.
VIVAH means marriage - An institution that binds two
individuals into a bond that is sacred, pure and eternal
- a commitment for life. more
Don:
Farhan Akhtar’s ‘Don’ is a Shah Rukh
Khan film all the way. The superstar literally breathes
fire into his character of a ruthless and clever Don.
He also shows his versatility as an actor while playing
the part of Vijay, the bumpkin.
 Twenty-eight
years after Chandra Barot’s hit movie with Amitabh
Bachchan in the role of Don, Farhan Akhtar comes up
with a sleek and stylish tribute to the original. This
‘Don’ is certainly bigger and bombastic.
Whether it is better, is debatable.
Barot’s ‘Don’ was quite modern for
its times. So is Akhtar’s. The story of new ‘Don’
is set in the cityscape of Kuala Lumpur, Paris and India
(few portions). The don in the film operates on an international
level. He uses state-of-the-art technology, fights like
a martial arts expert and has a zany taste in fashion.
He is like an Indian James Bond, but obviously on the
wrong side of law. more
Zindagi Rocks:
Director Tanuja Chandra forthcoming film "Zindagi
Rocks", starring Sushmita Sen and Shiney
Ahuja, is eliciting a good deal of curiosity about the
film from various quarters.
 The
film has a new identity, which is one of the reasons
the producers have been receiving several queries about
the film from buyers as well as eager audiences."ZINDAGGI
ROCKS' is a sensible movie with a heart touching story
of a mother's sacrifice with a right judged star cast
SHINY AHUJA (sooraj) and SUSHMITA SEN (kriya).the movie
starts from a flash back which creates a suspense about
shiny.... more
Woh Lamhe:
 ‘Woh
Lamhe’ is said to be based on the past
relationship between director Mahesh Bhatt and the late
superstar of the 70-80’s Parveen Bhabi. According
to Mahesh Bhatt the film is an almost identical account
to what transpired between him and Parveen behind closed
doors. However some may say that Mahesh depicting the
late actress and the details of her personal life in
such a manner is callous and cruel, but Mahesh looks
at it as a way to give vent to all the personal feelings
that are bottled inside him. He also hopes that it will
have a cathartic and healing effect on him. The story
revolves around the life of a glamorous and successful
actress; everybody wants to use for their own selfish
purposes including the struggling director who wants
to make it big at any cost. But though the actress seems
to have everything on the outside, she is a lonely,
scared and insecure woman on the inside. This loneliness
and insecurity threatens to engulf her in its clutches
and slowly drives her to the brink. Whether the film
is actually a true life account will perhaps never be
known, but it definitely depicts a fascinating, gripping
and touching drama....more
Pyaar Ke Side Effects:
Once in while, a film makes you smile. Not because of
what it strives to be. But for it sheer sassiness and
temerity.
 Going
into the new-age movie mantra of urban relationships,
Pyaar Ke Side Effects (PKSE) comes up with a winsome
twosome who love some, lose some….and emerge out
of the battle of the sexes healed and….quite wholesome!
Sid, that's Rahul Bose meets Trisha, a.k.a Mallika The
Sherawat, in extremely trying circumstances. She's trying
to escape an undesirable marriage (to stuffed –shirt
Jas Arora). He's trying….just trying. Being a
deejay at 30 is like being a teenager at 40. Or being
Mallika Sherawat and attractive and sexy without taking
your clothes off.
A bit bewildering but constantly engaging in its blizzard
of bacchanalia (hats off to dialogue writer Victor Acharya
for words that ring true and still sound like catch
lines on the bumper sticker of sports car) PKSE is possibly
that one romantic comedy in Hindi which could equal
Hollywood's Harry-meets-Sally formula portraying the
man-sharp-woman-sharper gender skirmish......more
Naksha:
 The
general impression about NAKSHA is, it's a rip-off of
an Indiana Jones film. The Harrison Ford trilogy, which
entertained millions of moviegoers worldwide in 1980s,
is said to be the original source for Sachin Bajaj's
directorial debut.
That could be true!
NAKSHA belongs to the Indiana Jones variety, but Bajaj
combines Indian mythology with adventure and comes up
with a new recipe altogether. And the outcome is as
invigorating and revitalizing as a cup of hot coffee.
Frankly, a film like NAKSHA transports you to your adolescent
years, when browsing the adventure novels and comics
was your favorite pastime. It's the form of cinema that
we'd forgotten in the hurly-burly world of meaningless
entertainers. Dream merchants are either busy wooing
the NRIs or multiplex junta. What happens to the masses
then, who yearn for a desi film with loads of entertainment?
Adventure movies have been attempted in Bollywood earlier
and NAKSHA is not the first of its kind in India. But
NAKSHA comes at a time when adventure movies are as
good as extinct in Bollywood. And that is its USP. The
voyage in dense forests, high mountains and deep ravines
as also the death-defying stunts compel you to pinch
yourself, are you really watching a Hindi film?......more
Lage Raho Munna Bhai:
 Hats
off to Vidhu Vinod Chopra and Rajkumar Hirani for making
a film that is more than just a rip-roaring comedy.
Lage Raho Munnabhai makes you laugh, makes you cry and,
parallel to all the entertainment, it gives a message
that sticks in the mind. To say it in Munnabhai’s
lingo – it creates “chemical locha”
in the brain.
It is next to impossible not to like Munnabhai and his
sidekick Circuit in their second innings. Almost three
years after the loveable duo cured the incurable in
Munnabhai MBBS , the street-savvy taporis find themselves
face to face with Mahatma Gandhi’s ideology in
‘Lage Raho Munnabhai’.
As Munna – the goon for whom breaking bones and
abducting people is the way of life – comes face
to face with Bapu, he discovers that it takes more courage
to turn the other cheek than to hit back.
Munna discovers that nothing works like compassion and
non-violence. Following Mahatma Gandhi’s way,
Munna not only triumphs over his enemies, but he also
wins the love of the woman he so very longs for......more
Don:
 A
huge Indian contingent embarks on a dangerous cat-and-mouse
trail of capturing DON (Shah Rukh Khan) - the ruthless
drug mafia in Malaysia.
When DON gets seriously injured in a police encounter,
the word that he is dead begins to do the rounds. The
reality, of course, is that DON is held captive in a
secret location, while his bumpkin of a look-alike,
Vijay, is polished and sent to take down DON's gang.
In a bizarre twist of fate, when the man shielding the
humble and streetwise Vijay, is killed, the latter comes
to terms with the horrifying realization that both the
police and the gang are out to nab him for different
reasons.
In a desperate attempt to prove his innocence, he is
aided by the glamorously staggering Roma (Priyanka Chopra),
and handsomely striking, Jasjit (Arjun Rampal), who
owes Vijay a favor for care-taking his son during his
imprisonment. But will Vijay be successful in his mission?
Based on the successful erstwhile classic of the same
name, which featured the legendary Amitabh Bachchan,
the contemporary and stylishly crafted DON, features
Bollywood czar Shah Rukh Khan playing a double role
in one of the most defining performances of his career,
teamed for the first time with former Miss World, Priyanka
Chopra.
The biggest and most keenly awaited motion picture of
2006, DON is a high-octane, tension-filled, twisty roller
coaster of a ride, with just the right dose of glamour,
action, suspense and romance.......more
Kabhi Alvida Naa Kehna:
When the most awaited movie of the year, with a star
cast as stellar as it gets, hit the theatres, expectations
are naturally high. Karan Johar’s Kabhi Alvida
Naa Kehna partly lives up to the expectations. But watching
the 3-plus hour movie, filled with emotional, tear-jerking
moments from the first reel to its conclusion, is a
tad tiresome.
KANK is a departure from Karan’s previous works
(Kuch Kuch Hota Hai, Kabhi Khushi Kabhie Gham ) in the
sense that the film deals with a theme that is relatively
bold in Indian context. The movie simply says that it
is better to walk away from a marriage if it is not
working.
However,
KANK is akin to Karan’s previous works in its
lavishness and grandeur – the slow-motion panoramic
shots, the very Johar-esque treatment of the songs in
which almost all the star cast indulge in celebratory
song n’ dance, and, above all, the centrality
of the movie’s story being the complexities of
relationships. So in a way, with KANK, Karan has only
turned more dramatic than his former self. But in his
zeal to tell an emotionally moving story, Karan goes
overboard at places.......more
OMKARA:
 Seen
purely as an adaptation of the English bard’s
‘Othello’, ‘Omkara’ is a work
of cinematic brilliance, translating and transforming
with conviction the characters of Shakespeare’s
book into the Indian milieu. But those who haven’t
read and don’t know about ‘Othello’
would find ‘Omkara’ an average film about
a man who, poisoned with jealousy, kills his own lover
and, later, himself.
The dark-skinned Moor of Venice (Othello) of Shakespeare’s
tragedy becomes the half Brahmin, dark-complexioned
chief (Omkara) of the outlaws in Uttar Pradesh in the
film. The envious, conniving and cunning Iago becomes
the limping, tobacco-chewing, cursing, Langda Tyagi.
The handsome, charming and self-pitying Cassio becomes
Kesu Firangi. The beautiful and madly-in-love Desdemona
becomes the fair-skinned Dolly Mishra. The jealous,
revengeful Roderigo becomes Rajan. The seductive Bianca
becomes Billo.
In ‘Omkara’, Vishal Bhardwaj takes a few
liberties and changes a few situations slightly from
‘Othello’. But he does not alter the gist
of the story............more
YUN HOTA TOH KYA HOTA:
When an actor of the calibre of Naseeruddin Shah decides
to perch on the director's chair, you track the directorial
debut with interest. It's an instant reaction since
Naseer is one of the finest actors in the country who
has been associated with qualitative projects since
the past three decades.
In his very first outing, Naseer decides to narrate
four parallel stories in those 2.05 hours. Of course,
several storytellers have made an effort to narrate
multiple stories in one film, notable among them being
Mani Ratnam [YUVA], RGV [DARNA MANA HAI, DARNA ZAROORI
HAI], Khalid Mohamed [SILSIILAY] and Samar Khan [KUCHH
MEETHA HO JAYE].........more
GOLMAAL:
Rohit Shetty’s movie ‘Golmaal’ lives
up to its punchline – Fun Unlimited.
 Despite
the absence of a concrete plot, the movie entertains
because the gags and pranks keep flowing in quick succession.
There is hardly any sequence in the film that doesn’t
evoke a chuckle, if not make you laugh. And the credit
for this partly goes to Neeraj Vora , the writer. Once
again, Vora spins a yarn replete with funny oneliners,
silly situations, outlandish characters and hare-brained
villains.
At the centre of the movie’s story are four friends
– Gopal (Ajay Devgan), Madhav (Arshad Warsi),
Laxman (Sharman Joshi) and Lucky (Tusshar Kapoor). Gopal
is the brave, big bully of the four. Madhav is the idler.
Laxman is the timid one, while Lucky is the bumbling
mute.......more
Corporate
 Madhur
Bhandarkar continues to walk on a tight-rope, balancing
masala [AAN, TRISHAKTI] and thought-provoking films
[CHANDNI BAR, SATTA, PAGE 3] consistently. Ironically,
the noteworthy films in his repertoire have been those
that dared to tackle an issue that hadn’t been
explored on Hindi screens before: CHANDNI BAR and PAGE
3.
Madhur now peeps into the glitzy world of corporate
identities in his new outing CORPORATE. Like CHANDNI
BAR and PAGE 3, CORPORATE works for one solid reason:
It brings to light the nitty-gritty of a world that
most commoners never knew of. Battles fought in ostentatious
and swanky offices aren’t known to the majority
and it is this aspect that can be rightly termed as
one of the USPs of the enterprise...........more
Krissh
Is it a bird, it is a plane? No it's Hrithik
Roshan!!!
It's not enough to say that Hrithik is one of the best
actors of the country.
 Extroardinary
is the word for the measured manner in which he glides
through the air to the beat of Rajesh Roshan's rather-vapid
songs…or cuts through the breeze to the stunning
special effects created with a verve so- far unknown
to Indian cinema.
Krissh takes us into the world of masked
fantasy where the stakes are incredibly high…as
high as the F-X-generated leaps that the super-hero
takes as he tries to save the world from the clutches
of a megalomaniacal villain with a glint in his eyes
that can only belong to Naseeruddin Shah............more
PHIR HERA PHERI
Comedy is the flavor of the season. And sequels are
rare in India. So if a dream merchant decides to make
a sequel to an immensely popular laughathon, you fasten
your seat belts and wait with bated breath for reels
to unfold on the screen.
PHIR HERA PHERI is the sequel to HERA PHERI involving
the famous trio -- Raju [Akshay Kumar], Shyam [Suneil
Shetty] and Baburao [Paresh Rawal]. Only thing, the
film has not been directed by Priyadarshan [who directed
HERA PHERI], but Neeraj Vora, who has penned a number
of Priyadarshan movies............more
FANAA
 The
industry has been thirsting for a good film that works
at the box-office as well. With a majority of Hindi
films sinking faster than Titanic, all hopes are pinned
on the first big release this summer: FANAA. Quite naturally,
the expectations are humungous and there're two vital
reasons for it: Yash Raj and the principal star cast.
A Yash Raj film is special. The illustrious banner has
cemented its position as the Numero Uno production house
by churning out memorable films and successfully transporting
us to a world of make-believe in those three hours,
over the years. ...............more
'36 China Town' - Lacks the punch
 Abbas
Mustan have always been the kings of suspense thrillers,
and have given the audiences films like Soldier, Ajnabee,
Humraaz, Tarzaan and Aitraaz, all of which have been
exciting and have done well commercially. 36 China Town
too is no exception, as it falls into the genre of a
murder mystery. The film is set in Goa, where 36 China
Town is the address of one of the characters.
It is clear now why Subhash Ghai wanted to keep the
climax of ‘36 China Town’ a secret before
the movie’s release. The suspense is such a downer
that it would have earned bad publicity for the movie..............more
Darna Zaroori Hai
 Ram
Gopal Varma is back with Darna Zaroori Hai. DZH is
suppose to be a sequel to Darna Mana Hai.
If Darna Mana Hai was big, the
supposed sequel Darna Zaroori Hai is colossal. Bigger
stars and multiple directors! Here again the movie
has six separate episodes that end up to a common
climax. Interestingly each of the six episodes is
directed by a different director. So each story should
expectedly be divergently different from the other
in terms of the theme and treatment of the individual
directors. Darna Zaroori Hai is the first Hindi film
to be directed by six directors. ..................more
Gangster
 The
question everyone's asking, first: Is Gangster based
on Abu Salem's life? Yes and no. Yes, because he is
a gangster and she is a one-time club dancer (a minor
variation there: Monica Bedi was a one-time starlet).
No, because fiction - in this case at least - is stranger
than the facts you've seen on the news channels.
Gangster, the latest from the Bhatt stable, is definitely
one of the better Bollywood flicks this year. Don't
go by the title, it's not a mafia movie. Although
there is a dose of blood in the script, director Anurag
Basu by and large takes the traditional love triangle
route. ..................more
'Pyare
Mohan' - Mundane
 Pyare
Mohan lacks heart, soul and everything besides having
such a talented director of MASTI and Fardeen Khan who
did a good job in NO ENTRY and ofcourse Boman irani
who is always dependable
Barring a few sequences, the humour in ‘Pyare
Mohan’ is pretty mundane.
Given the movie’s basic story idea, ‘Pyare
Mohan’ could have been an interesting flick. Two
friends – one blind and the other deaf –
go about their lives with fun and masti without letting
their handicap become a weakness. ...............more
'Humko
Deewana Kar Gaye' Mushy
 Akshay
Kumar's films are becoming classier by the month. There's
a certain restrain in his presence here. The way he
conveys the pain and hurt of an impossible love, is
quite surprising for an actor who until recently was
counted among the wooden.
Director Raj Kanwar's recent efforts to polish up his
act have yielded tepid results. Dhai Akshar Prem Ke
and the boxoffice hit Andaz were louder than the lyrical
aspirations of their creator.
Filmmaker Raj Kanwar’s previous movies have bore
an indubitable stamp of melodrama and romantic mush.
HDKG is no exception. ................more
Saawan
 "You'll
die this Friday." No, that isn't a trade pundit
predicting doomsday for this hopelessly loopy and washed-out
take on the vagaries of life. That's just the 'desi'
Nostradamus, played by Salman Khan, predicting sure-death
for the film's pert heroine (Saloni Aswani).
The film's feverish take on the matters of fate is so
hopelessly out of sync with the times, you feel sorry
for the perpetrators of this celluloid atrocity.
Poor Salman. He's given the thankless task of shouldering
this creative carcass. ............more
Shaadi
Se Pehle
 The
title SHAADI SE PEHLE gave an impression of it being
a sex comedy and Mallika's presence just strengthened
the belief. But the motion got wiped off immediately
after the movie starts rollin'. This ain't no sex comedy,
this is an ex-comedy!
Well, read the story first. Ashish Khanna (Akshaye Khanna)
and Rani (Ayesha Takia) are very much in love. Ashish
suffers from hypertension and one day he misunderstands
it for cancer after overhearing his doctor's (Boman
Irani) conversation on the phone. Ashish is devastated
and then embarks to turn nasty so that Rani starts hating
him and does not have to face the suffering of his death.
....................more
Banaras
Starring: Urmila,
Naseeruddin Shah, Dimple Kapadia, Raj Babbar, Ashmit
Patel.
Director: Pankuj Parashar
 Ashmit
Patel has a problem. It's not that he can't act. Director
Pankuj Parashar has taken care of that issue admirably,
skirting his skills and asking him to smile vacantly
at everyone. This is what Bollywood, bred on a diet
of melodramatic histrionics, calls 'subtle.'
No, his problem is peculiar. A shy, silent orphan named
Soham, he's a bit overwhelmed by the unashamedly frank
proposal come his way from the overenthused Shwetambari
(Urmila). The randy little rich girl is thrilled about
Soham's music classes, and singing is clearly not foremost
in her thoughts. But, Soham asks himself, is this right?...................more
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